Hello and welcome to TimMarshell.com. It is both my pleasure and honor to share my music and my life with you. Inside you will find more information about the man behind the music, and my dare to live a dream

Tim Marshall

The 29th Dream

From the first moments of “My Green Lady,” the second of Tim Marshall’s new CD, “The 29th Dream,” it is clear he is deeply rooted in the English folk-rock traditions of the mid-70s. From the vocal effects to the production and instrumentation – this cut, as does much of the CD, evokes the spirit of Ian Anderson and Jethro Tull. Since the mid-70s was such a rich musical landscape including landmark acts Fairport Convention, The Strawbs, Emerson, Lake and Palmer, Yes and the aforementioned Tull, that is not a bad place to be creatively. As a matter of fact, most of these songs were actually written during that period, and Marshall has just now gotten around to recording them. For those of a certain generation (mine), these songs evoke a softer time of optimism and hope. There is certainly a mystical element to much of the music and most of the lyrics that harkens back to the innocence that still reigned in the ‘70s. There is an overall English flavor to the project, even reflecting The Beatles at times. The idealism of the era is alive and well in this work as on “We Do” where Marshall exhorts, “Mother earth she’s in need, and she cries as she bleeds.” The flute work by Darrell Mimms on this song further accents the Jethro Tull influence. This is, admittedly, a niche project, but one that has been very effectively realized. If you are a child of this time and familiar with these referenced artists, you will certainly find much to love. If you are of the younger generation who may never have even heard of some of these groups, you may be surprised how much this modern rendering of the sonic soundscapes and lyrical landscapes of long ago are timely, relevant and very appealing today. Local photographer/artist Scott Griffin created an illustration for each song, and the lyrics are all printed for each song. This certainly sets it apart from most independent releases and is strong creative point that only adds to the impact of a very intriguing project. In addition to writing all the songs (except the lyrics on “Castle Taranve”), Marshall does a fine job on the lead vocals and acoustic guitars. Production values are exemplary.

Produced by Darren Osborn. Recorded at Sandbox Studios in Shreveport. Design by Michael Pabst.